Iraq’s cultural events suffer from low public turnout, primarily attracting specialists. Despite the Ministry of Culture’s efforts organizing various activities, past associations with authority and audience perceptions hinder broader engagement. Prominent artists suggest strategic changes to diversify topics and appeal to wider audiences.
Despite government initiatives aimed at fostering literature, art, and heritage, cultural events in Iraq are witnessing alarmingly low public participation. Engagement remains primarily limited to specialists, with the Ministry of Culture frequently organizing a variety of events, such as literary festivals, theatrical performances, and art exhibitions.
Spokesperson Ahmed Al-Aliawi of the Ministry of Culture stated that they assist in coordinating literary activities and exhibitions, while independent events also flourish. He emphasized that the ministry plays a supportive role in enhancing the visibility of these cultural exchanges across literature and the arts.
Poet Mohammed Al-Kaabi indicated that historical ties between cultural events and governmental authority may render them less relevant to societal issues, thus discouraging public attendance. He noted that the proliferation of cultural organizations has led to the perception of such events as politically driven, further alienating potential attendees, including university students who could greatly benefit from these intellectual opportunities.
Visual artist Mohammed Al-Mutairi remarked that cultural activities often remain insular, attracting only specific artistic circles. He mentioned the International Book Fair as a notable exception, being the sole event that consistently garners a varied audience from writers to students.
In contrast, theater artist Zaki Al-Jaber critiqued the monotonous themes prevalent in festivals, stating this reduces interest and leads to disengagement among attendees. He pointed out logistical issues, such as poor venue selections and scheduling, as barriers to greater involvement and advocated for diversifying topics to attract broader audiences.
The ongoing low turnout at Iraq’s cultural events underscores a critical disconnect between the organizers and the public. Factors such as historical associations with authority, audience perception of political motivations, and logistical challenges hinder engagement. To reinvigorate interest, there is a clear need for strategic reform involving diverse topics and fresh perspectives in cultural programming.
Original Source: shafaq.com
